Cheryl Madeux
Conservatory Ballet Director, Instructor of Ballet/Pointe/Variations - Children's Program and Pre-Professional Program
Cheryl Madeux, a Connecticut native, received her training at the Nutmeg Conservatory for the Arts under the direction of Sharon Dante and Donna Bonasera. She has enjoyed a long professional career, dancing with such venerable companies as the Joffrey Ballet, American Ballet Theatre, and principal dancer with the Hartford Ballet under the direction of Kirk Peterson. Madeux performed extensively throughout the United States and Europe and has been coached by such ballet luminaries as Igor Youskevitch and Eleanor D’Antuono. Her extensive classical repertoire includes all the full-length classical productions as well as principal roles in The Nutcracker, Giselle, Coppelia, The Firebird, Balanchine’s Serenade, Spectra de La Rose, and much more. It also includes works by choreographers such as Gerald Arpino, Kirk Peterson, George Balanchine, Michel Fokine, Anthony Tudor, Martha Graham, Margo Sappington, and others. Among her early accomplishments, Madeux was awarded first place in the National Society of Arts and Letters Ballet Competition at the age of 15, as well as a finalist at the III International Ballet Competition in Paris and the Prix de Lausanne in Switzerland. She was later recognized by the White House Commissions Program for excellence in academics and dance and was awarded a Level One Presidential Scholar in the Arts.
As an educator, Madeux has been a guest teacher and coach for many ballet institutions across New England. In 2005, she became ballet director at Franklin School for the Performing Arts and assisted in developing their conservatory ballet program, as well as choreographing and directing their full-length ballet productions. In 2009, she successfully completed her certification in the ABT National Training Curriculum for Primary through Level 7 & Partnering and was later appointed to the prestigious Board of Examiners for the curriculum. In addition, she became a summer faculty member for the ABT Young Dancer Program and ABT summer intensives, as well as an assistant instructor for the NTC teacher certifications. Madeux was a guest judge for the Connecticut Classic Ballet Competition in 2014 and 2019, an adjunct professor for ballet and pointe at Dean College and successfully coached dancers from FSPA to the YAGP finals in NY. Madeux resides in Wrentham, MA with her husband and two children.
Victoria Collins
Instructor of Ballet/Pointe - Children's Program
Victoria Collins, a former FSPA Ballet Conservatory student, has been featured in the Franklin Performing Arts Company's production of The Nutcracker as Clara. Other ballet credits include Cinderella, Coppelia, and other repertoire concerts. After her time at FSPA, she continued her studies at Dean College in Franklin. At Dean, she had the opportunity to continue learning from Cheryl Madeux and other credentialed faculty such as Marc Arensten (Dean of the Joan Phelps Palladino School of Dance), Jill Silverman, Roshni Pecora, Kimberly Calore-Sedlak, Dina Ternullo Melly, and Todd Shanks. Her knowledge of dance expanded after newly receiving her ABT certification in pre-primary-Level 3 and she plans to continue her certification in the other levels in the future. Victoria is glad to be a new addition to FSPA faculty that she has long admired.
Clyde Nantais
Instructor of Ballet/Pointe - Pre-Professional Program
Clyde Nantais joined the FSPA Dance Faculty in 1992. He holds a Bachelor of Fine Arts from Boston Conservatory and a Master of Education from Temple University. He has performed leading roles in Equity Summer Stock and dinner theater productions. Mr. Nantais danced with Boston Ballet for seven years before teaching in its school for 17 years. He was the principal ballet teacher at the National Institute of the Arts in Taipei, Taiwan. He has served as Ballet Master for the Boston Conservatory Dance Theater, the Berkshire Ballet, and the Pioneer Valley Ballet. As choreographer, he has staged over 50 original works for more than 40 companies and schools worldwide. Mr. Nantais was also the Executive Director of the Boston Dance Company Studios and Associate Director of the Boston Dance Company. He recently retired from teaching Ballet for Musical Theater students at The Boston Conservatory at Berklee and has also retired from the faculties of the Boston Ballet and Charlotte Klein Dance Centers.
Christopher Phillips
Instructor of Ballet/Pointe - Pre-Professional Program
Mr. Phillips teaches classical dance using the Vaganova syllabus and is dedicated to providing the best classical ballet education for young and adult dancers; passing on the classical art-form through foundation, discipline, and artistry. Christopher has been teaching classical dance for over 15 years and is certified to teach all levels in the Vaganova system, pointe work, and partnering.
Dr. Marisa Babb-Wetherell, PT, DPT
Instructor of Progressing Ballet Technique - Guest Faculty
Marisa trained as a young dancer in the Pioneer Valley of Western Massachusetts. She performed with the Movement Ensemble Dance Company under the direction of Liana Ciaglo, including appearances with the Commonwealth Opera. Marisa also appeared in The Nutcracker with both the Moscow Ballet and Academy of Ballet Arts.
Through her college years, Marisa performed with Springfield College’s Singers, Dancers, and Best of Broadway groups on campus. She also completed a minor in dance at Springfield College while pursuing her degrees in Physical Therapy. She has continued to dance as an adult including appearances in FPAC’s The Nutcracker.
Marisa holds a Doctorate in Physical Therapy and currently practices in outpatient physical therapy in North Attleboro, MA. She specializes in dance medicine and is passionate about educating young dancers to use their bodies as effectively, efficiently, and safely as possible.
Marisa achieved her initial certification in Progressing Ballet Technique in 2018 and has continued on to achieve her Level 3 PBT Certification. Marisa enjoys teaching the PBT curriculum and feels it holds great value in training safe and efficient use of the body to advance dance technique and performance while preventing injuries.
